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Reiki Healing and Third Eye Awakening: Meditation Guide to Improve Your Health and Increase Positive Vibrations. Align Your Chakras and Activate the Kundalini Energy and Decalcify the Pineal Gland , Hörbuch, Digital, ungekürzt, 377min
Do you want to improve your health, energy and increase positive vibrations to find balance and discover your spiritual and physical wellness? If yes, then keep reading....This guide is divided into two parts. In the first part we will talk about Reiki healing and in the second part about the third eye awakening. Reiki is a Japanese technique that is based on a scientifically proven premise that every living has a universal life energy. The Usui technique capitalizes on this energy through touch for the healing purpose.A Reiki practitioner places their hands on the patient and transmits high frequency energy into the patient in order to correct imbalances in the body that are responsible for the illness. Reiki philosophy believes that energy can fail to flow in the body areas that are afflicted by injuries or when an individual is suffering from emotional and mental pains. This energy blockage causes illness over time. Energy facilitates healing through energy flow while getting rid of blocks in a similar fashion to acupressure or acupuncture.Facilitating energy flow throughout the body, say Reiki healers, improves relaxation, lowers pain, speeds the healing process, and eliminates other symptoms of illness. The third eye is often called the sixth sense because it allows you to see things that go beyond the natural laws of the body and mind. The third eye also works with your first five senses in order to see things beyond the normal scope of sight.With all six senses working together, it creates a strong sensory organ known as the "meta organ". This sensory organ pays attention to patterns in your life that you may not pick up on through your other five senses. Then, it will integrate these patterns onto your other senses, so you can accurately get insight into the situation at hand. ungekürzt. Language: English. Narrator: Lily Smith. Audio sample: https://samples.audible.de/bk/acx0/207880/bk_acx0_207880_sample.mp3. Digital audiobook in aax.- Shop: Audible
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Happiness: A Little Guide to Self-Love and Positive Thinking , Hörbuch, Digital, ungekürzt, 63min
Happiness. This is probably the most sought-after emotion in the world and yet somehow, despite our abundance of wealth, increase in health and freedom from tyrannical oppression it seems to have grown more elusive. We have confused our quest to find inner peace with our desires for success and financial gain. Again and again the world transmits a message that if you work really hard you will become really successful and from there happiness will be a by-product that just follows naturally. People in the rich industrialized countries are now wealthier than they have been at any time in our history and yet all the evidence points to the fact that we are now unhappier than we have ever been. What can it be that we are getting wrong? Why is it that depression levels, even among adolescents, are skyrocketing? We are not the first people to go in search of the answers to this problem. It is an age-old dilemma that dates back thousands of years but which seems to be reaching a crisis level at the moment. The last 50 years have seen huge leaps forward in our knowledge of the workings of the human brain and the psychology associated with it. Science has already answered many of the questions we have in regard to happiness and as you delve deeper into this book you are going to learn that your happiness levels are not just something that happen to you or are the result of the circumstances in which you find yourself. You can develop your brain's receptiveness to happiness in much that same way as you are able to develop your physical stamina: through discipline and effort combined with some education as to how the mind works. ungekürzt. Language: English. Narrator: Naomi Kim. Audio sample: https://samples.audible.de/bk/acx0/074415/bk_acx0_074415_sample.mp3. Digital audiobook in aax.- Shop: Audible
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The Kindred Conversation: New Adages, Volume 1 , Hörbuch, Digital, ungekürzt, 34min
An adage is a short saying that transmits knowledge, and some have been around for generations. You might remember a parent or grandparent saying "a bird in the hard is worth two in the bush", "a leopard can't change its spots", or "better safe than sorry". There are hundreds of these sayings and they all translate into excellent advice and food for thought. I have come up with dozens of new adages over the years. Some are quotes from famous people, some I heard somewhere and they stuck with me, and other I just made up. We all have automatic thoughts that we repeat to ourselves over and over again. This makes our neurons fire in a certain way. When we change those thoughts from negative to positive, the old neurons die, and new ones are created. The New Adages can take over old negative thoughts and actions and change the way you think and respond to external events, as well as your own moods and feelings. Mindfulness made easy. The best way to utilize this audiobook is to first listen through the entire book, which takes about 30 minutes. Take note of the adages that really resonate with you. Pick one adage and use it for a while. Listen to it in the morning and at night. Turn it over in your mind. Think of times it would have helped you in the past. Use the adage as an affirmation. Talk about it with friends and colleagues. Watch and be aware. When you are at a crossroads, this adage will actually put you into mindfulness and will alter your old ways of doing things. Revisit the new adages frequently and repeat this process. We don't need to reinvent the wheel, but we can find new and different ways to use it. ungekürzt. Language: English. Narrator: Sheryl Mebane. Audio sample: https://samples.audible.de/bk/acx0/145986/bk_acx0_145986_sample.mp3. Digital audiobook in aax.- Shop: Audible
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The Deadly Air: Genetically Modified Mosquitoes and the Fight against Malaria , Hörbuch, Digital, ungekürzt, 135min
Hundreds of thousands of people die every year from malaria. No one's quite sure of the exact number. It's just too difficult to keep track of the disease as it tears through more than 200 million cases each year, many of them in countries wracked by war and blighted by other problems. What is certain is that it is people living in these situations and, more specifically, children aged under five, who suffer disproportionately. It is for these areas that universities and NGOs, drugs companies, governments and philanthropists from around the world are united in an ongoing battle against the disease. Malaria has been with us for thousands of years. The Ancient Egyptians had it; Chinese dynasties before them. In some arenas during the Second World War, more soldiers were hospitalized by malaria than by injuries sustained during fighting. Today, malaria remains one of the most resilient and most adaptive diseases out there, constantly mutating as it finds ways around the drugs deployed to combat it. One of the key parts of the problem is the method by which malaria transmits itself from person to person: Mosquito bites. Breeding, feeding and transmitting at an incredible rate, mosquitoes are unavoidable in whatever environment they live. Now, cutting edge science is being called upon to help save lives lost to malaria. By genetically modifying the mosquitoes, scientists are aiming to turn the disease's vector against itself, severing the link that enables malaria to spread. In The Deadly Air, Christian Jennings mixes together his own experiences of suffering from malaria with a history of mankind's struggle with the disease and an account of the scientists engaged in the modification of the mosquito's genome. Rich in detail and scientific intrigue, The Deadly Air is the story of malaria and of the millions of lives at stake in our fight against it. ungekürzt. Language: English. Narrator: Matthew Waterson. Audio sample: https://samples.audible.de/bk/adbl/019370/bk_adbl_019370_sample.mp3. Digital audiobook in aax.- Shop: Audible
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The Conet Project: Recordings of Shortwave Numbers Stations, Hörbuch, Digital, 291min
For more than 30 years, the Shortwave radio spectrum has been used by the world's intelligence agencies to transmit secret messages. These messages are transmitted by hundreds of Numbers Stations.Shortwave Numbers Stations are a perfect method of anonymous, one way communication. Spies located anywhere in the world can be communicated to by their masters via small, locally available, and unmodified Shortwave receivers. The encryption system used by Numbers Stations, known as a one time pad is unbreakable. Combine this with the fact that it is almost impossible to track down the message recipients once they are inserted into the enemy country, it becomes clear just how powerful the Numbers Station system is. These stations use very rigid schedules, and transmit in many different languages, employing male and female voices repeating strings of numbers or phonetic letters day and night, all year round. The voices are of varying pitches and intonation; there is even a German station (The Swedish Rhapsody) that transmits a female child's voice! One might think that these espionage activities should have wound down considerably since the official end of the cold war, but nothing could be further from the truth. Numbers Stations (and by inference, spies) are as busy as ever, with many new and bizarre stations appearing since the fall of the Berlin wall. Why is it that in over 30 years, the phenomenon of Numbers Stations has gone almost totally unreported? What are the agencies behind the Numbers Stations, and why are the eastern European stations still on the air? Why does the Czech republic operate a Numbers Station 24 hours a day? How is it that Numbers Stations are allowed to interfere with essential radio services like air traffic control and shipping without having to answer to anybody? Why does the Swedish Rhapsody Numbers Station use a small girls voice? These are just some of the questions that remain unanswered. Language: English. Narrator: uncredited. Audio sample: https://samples.audible.de/bk/bnpp/000020/bk_bnpp_000020_sample.mp3. Digital audiobook in aax.- Shop: Audible
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Lime Green Bindi
About Hypnotic Gurus: Defying one-dimensional descriptors, crossing boundaries and erasing them, Hypnotic Gurus draws inspiration from many sources: Indian and western, ancient and modern, acoustic and electronic. A sonic curry that both soothes and satisfies, Hypnotic Gurus appeals to an eclectic audience gathering from distinct yet complimentary backgrounds: yoga, trip hop, ambient, urban. Produced by drummer Sunil Narang for CPDC Artists, Hypnotic Gurus infuses sitar into an atmosphere driven by his trademark deep pocket drum grooves and tinged with electronics. Through the sitar, AJ Rikhi Ram invokes the divine and summons the eternal yet exists in the here and now, sculpting textures from lush and melodic to sparse and moody. Flowing like the Ganges, a great musical tradition transmits from father to son, from wise master to young virtuoso. Since 1920, Rikhi Ram Musical Instruments Manufacturing Company has hand-crafted sitar, sarod, tanpura, surbahar, sarangi, tabla and harmonium. Founded by Pandit Rikhi Ram, continued by his dedicated son, Pandit Bishan Das Sharma and now, under the direction of his son, Ajay Sharma a.k.a. AJ Rikhi Ram, this lineage, unbroken, stretches into a new millennium where technology and tradition effortlessly intertwine. Exalted around the globe, the Rikhi Ram family has placed instruments and imparted instruction into the hands of musicians such as George Harrison of the Beatles. Hypnotic Gurus has released the album, Lime Green Bindi, on indie label, CPDC Artists. Comprised of seven transcendent tracks, Lime Green Bindi takes the listener many places- some familiar, some surprising, but all vital to heightened awareness guided by inner light. The first track, 'City', glides along streets bustling with traffic, redolent with heat and exhaust, bristling with excitement. Next, 'Night', an emotional tribute to AJ's father, the late Pandit Bishan Das Sharma, connects our mortal flesh to the eternal soul. The title track, 'Lime Green Bindi', lays down an insistent groove, beckoning all to dance. 'Sagaai', opens with a sweet and solemn proposal to join together two as one. In 'Time', the beat carries one forward, step by step, moment by moment, to return home to a welcoming face. Through 'Memory', the listener indulges the sentimental, the romantic, the uplifting as refuge from the day's trials. Rising from a verdant valley, snow capped mountains as backdrop, the listener as traveler reaches the sonic comfort of 'Hill Station' where precious moments sooth and recharge body and soul. Infectious, elevating and danceable, minimalist and fractal, each track breaks the box to crossover into receptive minds longing for a fresh outlook.- Shop: odax
- Price: 19.60 EUR excl. shipping
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Portuguese Music for Solo Cello
'In Antagonia, for solo cello, the first and second strings are tuned half a tone lower (A and D flat). This tuning divides the instrument in two contrasting fields: two perfct fifths separated by an augmented fourth that makes them "antagonistic". This antagonism is transposed to every aspect of musical construction: there is one force trying to ascend and another one pushing down (or vice-versa), rhythmical characters opposing each other in expansions and contractions, and dynamic progressions in different directions. The work is divided into six parts: prologue (pesante), four variations (fuido, presto, allegretto, lento) and epilogue. In the introduction there is no theme but a structure that is transformed in tempi, textures and sonorities peculiar to each variation. In the epilogue there is a deformed condensation of all the previous sections: it is the non-resolution of an untransposable conflict. It's anguish is intensified by the dissonances of the scordatura, wich "repress" the natural tone of the cello. Written in Almoçageme in March 1990, it was first performed in Barcelona three months later, in a concert in memory of Jean Etienne Marie. It was recorded by the Czech and the Portuguese Broadcasting Companies, and selected by the jury of the International Society for Contemporary Music for the World Music Days that took place in Mexico City, in November 1993. It is dedicated to the Portuguese cellist Irene Lima.' Alexandre Delgado 'The composition of this piece, like all my music, is based on listening and spectral understanding of the sound phenomena, taking into account the acoustic properties of the musical instrument, which is the subject of research, leading to the abstract speculation on the compositional process. The piece is based on a defective spectrum on C (one octave below the C on the cello), in which only 11 partials (from the fundamental up to the 29th harmonic) are taken into consideration. From this defective spectrum I realized 8 micro-intervallic frequency shifts, resulting in a total of 9 sound aggregates. These aggregates have a slightly different intervallic structure between them, yet this small difference is of great importance - in terms of acoustics and perception it changes considerably the harmonicity / inharmonicity of the aggregates, what actually means being more consonant or less consonant in terms of perception. Each of these sound aggregates corresponds to a section of the piece. Although the sections succeed without interruption, some interludes and transitions are introduced here and there between them. There are also few sections, where some of the material presented earlier is reintroduced from a new perspective. Within each section, every aggregate is the subject of successive transpositions, yet retaining the same intervallic structure and also conforming to the base harmonic spectrum. These transpositions give origin to numerous melodic figurations, often in accelerando and appearing throughout the piece. The electronics operates primarily as a shadow or double of the acoustic instrument, blending with it, and extending it's identity. Occasionally, it can also act as a counterpoint.' Miguel Azguime, 29th July 2014 'Labirintho was written for the cellist Filipe Quaresma. The piece is clearly divided into two major parts recognizable by the change in tempo. The construction of this piece is centred on a theme that is constantly repeated and varied, resembling an obsession from which it can not escape (like in a maze).' Carlos Azevedo 'One of the salient features of the work of Corte-Real has been it's umbilical relationship with Portuguese culture and, above all, with it's poetry. Poets that the composer has put to music or from whom has taken inspiration are already numerous: Pessoa, Pascoaes, Régio, Agostinho da Silva, Eugénio de Andrade or Florbela Espanca. The work Bicicleta do Poeta (The Poet's Bicycle) (2014) for solo cello, is inspired by the poem Bicicleta (Bicycle) by Herberto Hélder. As in the poem, the music is full of sudden changes of speed and pace, unpredictable changes of direction and hard braking. The calm, relaxed, summer's-day ride itself gives way to the speed and vertigo inside...' Afonso Miranda 'Ostinati (2010) represents a change of direction in the composer's work: a turn that incorporates previously rejected elements, guided under a greater freedom, in the sense that it suffers less from the denial of material and solutions than from the meeting of musically sufficient ideas in order to create one sound identity. The material found in the origin of the score is, therefore, quite concise. Like other works from Ricardo Ribeiro, if the thought associated to the electronic processing is present since the first moment, it is true that the instrumental part lives by itself as an autonomous piece. This phenomenon doesn't work both ways: the electronic is only possible as a factor that improves the original idea, sometimes even recreating it, according to the notes which date from the elaboration of the instrumental part. The idea that each performance consists in a unique piece is, in Ostinati, taken a step further, since the electronic program was designed with some characteristics of randomness concerning to the degree of microtonality's range and overlapping of elements closer or furthest in time, which can be triggered in certain sections. The same electronic works as an orchestration of a particella, adding the microtonality and enhancing the timbre. The persistence of ideas and gestures is a metaphor of the idea of repetition, a presence that is increasingly evident in the last works of the composer. The repetition that in Intensités (2001) happened at the harmonic level, is present in Ostinati at a much more immediate level, in the movement, in the heights, in the continuous manifestation of strength which simultaneously transmits serenity.' Diana Ferreira.- Shop: odax
- Price: 26.29 EUR excl. shipping
