34 Results for : rampal

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    Claude Bolling, Jean-Pierre Rampal
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    Sixtine Group : Raphael Imbert (sax, clarinette basse), Jean-Marc Fabiano (accordeon), Christophe Leloil (trompette, bugle), Marion Rampal (voix), Cedrick Bec (batterie)...
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    Alain Daboncourt, flute Judy Chin, piano 'In a flute concert of soaring lyricism and artistic panache that recalled the great playing of Marcel Moyse and Jean-Pierre Rampal, Daboncourt's marvelously fluid playing and soaring sound were stunningly presented, with impeccable style, elegance and passion.' 'Alain Daboncourt is a truly remarkable French flutist." 'The beauty of Alain Daboncourt's phrasing, which never sacrifices the melodic line to easily mastered brilliant ornamentation, confers life and naturalness to the works on these two Eroica CDs.' Alain Davoncourt resides in a small village near his native French hometown of Briançon. He leads an active concert life, performing a widely eclectic repertoire, from Bach to Penderecki and Takemitsu, including recital programs, chamber music, as well as more than eighty concertos. As a soloist he currently plays in the United States, Argentina, Brazil, Uruguay, France, Italy, Switzerland, Russia, the Ukraine, Lithuania, Romania, Poland, India, Vietnam, China, Taiwan, Indonesia, and the Middle-East He regularly appears in major concert halls, including Taipei National Concert Hall, St Petersburg Philharmonic, Vilnius Philharmonic, Torino's Teatro Alfieri, Salle Gaveau in Paris, and Italy's RAI Auditorium,. He has recorded 12 CDs.
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    After studies with Alain Marion in Paris and James Pappoutsakis at the New England Conservatory of Music, flutist Angela Koregelos made her professional solo debut in London's Wigmore Hall where the Times hailed 'the freshness of her tone and the naturalness of her playing.' She returned to the United States and became one of the youngest principal players of the Oakland Symphony where she was often featured as a soloist. She has performed and recorded with the San Francisco Opera Orchestra and the Skywalker Symphony where she has participated in numerous projects for film and television. She currently teaches flute and chamber music at Mills College, Oakland, and conducts masterclasses both in the U.S. and abroad. Ms. Koregelos currently performs on a flute made for her by her father. Pianist Julie Steinberg is an active soloist and chamber musician, having appeared with the San Francisco, Oakland, and Berekely Symphonies, where she premiered works by Ernst Bacon and Olivier Messiaen. She has been an assisting artist in masterclasses with Jean-Pierre Rampal and Mstislav Rostropovich and has been heard regularly with the San Francisco Contemporary Music Players and Chamber Music West. Together with violinist David Abel and percussionist William Winant, she is a member of the Abel-Steinberg-Winant Trio wich has received critical acclaim throughout the United States, Japan, and Canada. Ms. Steinberg holds a Doctor of Musical Arts degree from Stanford University with a specialty in Twentieth Century Music and is currently on the faculty of the University of California, Berkeley.
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    Rampal (Fl), Veyron-Lacroix (Cemb), McGill Kammerorchester, Brott (Dir) 1956-1966
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    Well-known American composer David Diamond received many accolades for his compositions, which include works in such diverse genres such as symphonies, concerti, chamber works, and vocal compositions. This sonata was written for Jean-Pierre Rampal (1922-2000) on the occasion of his 65th birthday and remains unpublished today. Frequently changing meters and a lyrical dissonance are elements of the characteristic compositional style that permeate the work. The caption for the fourth movement both illustrates Diamond's sense of humor and acknowledges the moments of disjunction between the two instruments, the piano and flute do eventually reunite to complete the work with a resounding flourish. A student of Nadia Boulanger and Vittorio Giannini, Thomas Pasatieri received the first doctorate awarded by the Julliard School of Music at age nineteen. Best known for his vocal and operatic compositions, Pasatieri writes in a musical style highlighted by lyrical and tonal melodies. A 1986 commission by the Verdehr Trio led to the composition of a number of instrumental works, including this work for flute and piano, written in honor of the fiftieth anniversary of the Music Academy of the West. The use of whole tone scales and gentle chromaticism in the first movement, a lullaby-like rocking triple meter in the second, and a romantic, atmospheric flute melody in the Allegro vivace all combine to create a wholly enjoyable soundworld not unrelated to the many film scores on which Pasatieri has worked. Emma Lou Diemer wrote her flute sonata in 1958, while studying for her Ph.D. in composition under Bernard Rogers. Diemer acknowledges a specific connection to Johann Sebastian Bach's flute sonata in E-flat major (BWV 1031, 1730-34), which also features a Siciliano as the second of it's three movements. Diemer writes, "The Bachian interplay and equality of the writing for flute and keyboard was uppermost in my mind, and also a lyricism and tonally uncomplicated style - though moving quickly through changing tonalities." The first two movements have neoclassic ternary formal structures, while the third is in sonata form with a fughetta in the development section. It was dedicated to Mark Thomas, for whom Diemer also wrote a flute concerto. This is the first recording of this work. Denis Bédard, an actively performing French Canadian composer and organist, wrote this flute and piano work while teaching at the Conservatoire de musique de Québec. The work was premiered by Barbara Todd-Simard, who also performed it on CBC radio. Bédard describes the work as having been written in his "usual chamber music style, which is very 'French'." Compositionally, the work is at times influenced by the style of Francis Poulenc, and the third movement pays an unmistakable debt to the first Gymnopedie (1888) by Erik Satie. The formal structures are clearly articulated and the harmonies are at times quite adventurous. Bédard acknowledges a "concern for immediate communication with as vast a public as possible" as one of his principal aesthetic goals, this enjoyable and challenging piece undoubtedly fulfills that ambition. Julliard faculty member Samuel Zyman is one of the leading Mexican composers today, with an extensive catalogue of works including symphonies, concerti, chamber works, and the film score to The Other Conquest. This sonata, regarded as a major repertory piece and frequently performed worldwide, features technically demanding writing with particularly appealing rhythmic power and drive. Composed at the bequest of Mexican flutist Marisa Canales who premiered the work in 1993 with Argentinian pianist Ana Maria Tradatti, the work was published four years later. Zyman's aesthetic concept for this piece was that it be "exciting, intense, and emotional," he pairs a contemporary sound with formal structures that bow to the western tradition and a true partnership between the two instruments. With jazz-inspired syncopations, imitative counterpoint between the flute and piano, and an urgently-paced third movement he envisions as "reckless and insane," Zyman's energetic composition is a favorite for many flutists. - Laura Moore Pruett, Ph.D.
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    Lili Kraus (Pno), Francois Etienne (Clr), Pierre Pasquier (Va), Jean-Pierre Rampal (Fl), u.a. 1953-1954
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    Bombay in den 70ern: Om träumt von einer Karriere als Schauspielstar - und von Leinwandgöttin Shanti (Deepika Padukone), vor deren Poster er schwärmend Tag und Nacht verbringt. Eines Tages rettet Om Shanti das Leben und gewinnt ihr Herz. Nach einem Streit mit dem skrupellosen Filmproduzenten Mukesh Mehra (Arjun Rampal) ist Shanti allerdings erneut in Gefahr: Mehra legt kaltblütig ein Feuer, in dem sie umkommen soll. Noch bevor Om seine Shanti aus den Flammen befreien kann, kommt er ums...
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